Posted by Addicted to Morphine on Tue Sep 27th at 3:25pm 2005
So, here it is. An attempt to start a real story thread. I hope a few of you out there who consider yourselves to be writers will enjoy the opportunity to share your talents with the rest of us. And I encourage the rest you to contribute earnestly and seriously.
If someone writes something irrelevant, just ignore the post and continue with the story. Eventually, we will come to the an end. Perhaps when we do we will have a short story or maybe a novel. Either way I will compile all the posts and put the composite here in the first post for all to read in its entirety.
When writing, feel free to introduce new characters as long as they make sense to the plot or the setting. Don't segue into a completely new story with new characters who live on a moon base if we've been talking about a man named Brian who finds himself lost in South America (for example).
I don't want to presume to start this thread since I'm not much of a writer. Perhaps Gollum or Tracer Bullet could post a reasonable paragraph to start off this thread, keeping in mind that we most likely have to mimic aspects of the initial post for the rest of the thread (for example... if the first poster decides to begin the story with an omniscient third person narrator, the rest of us should continue with it).
But, just to clear up any confusion, I'll try to write a sample post for you guys to get a feeling for what I'm aiming for with this thread:
Example:
"... He closed his eyes tightly and tensed the muscles in his arms to fight the vibrations of the armrests that kept him penned within his seat. He imagined he could hear the tiny plastic windows rattling, even though the plane seemed ominously silent at that moment. Everyone's breathing had apparently stopped, as their stomachs turned with each unexpected drop and jolt. They were in the last stage of their descent towards the jungle airstrip nestled in the valley between two sheer mountains that stood like resolute wardens. The combined weight of the four of them, including the pilot, didn't seem to be able to compensate for the humid tropical air that buffeted their flying metal coffin. In the last few seconds before the plane touched down, Brian couldn't help but imagine, in slow motion, how it would feel to die in this solitary sun-baked part of the world..."
Please excuse the crappiness of that paragraph. That is perhaps more description then is necessary, and of course whoever does start off the story will determine many aspects of the writing style, but that paragraph was just a demonstration of the type of serious writing I'd like to see.
So... someone who likes to write please start us off. Try to establish a few specific details, such as a central protagonist or location, but allow for some creativity on the part of the next writer.
Oh one more thing, if you do have suggestions in regards to additional rules for this thread, or changes to the current rule of 5 sentences minimum / no maximum, let me know. Nothing is set in stone, I just wanted to try out a serious thread, and haven't put extensive thought into its development or regulation.
Posted by ReNo on Tue Sep 27th at 4:01pm 2005
I haven't done any writing in ages, so umm...if thats too s**t feel free to start again
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Posted by Pvt.Scythe on Tue Sep 27th at 4:53pm 2005
If this seems like utter crap then ignore it.
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Dystopia - Empires
Posted by rival on Tue Sep 27th at 5:36pm 2005
the man gave a sly little smile and turned, walking away. as he slowly moved away from her she cosidered the situation. was this the salvation and hope she was after? she looked around at the desert. there was nothing. as he moved farther and farther away she felt more and more compelled to follow. a moment later she smiled happily at herself and set off after him. some how she just knew... he was the answer
this was a great idea Morphine, i quite like writing.
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Posted by fraggard on Tue Sep 27th at 5:38pm 2005
Answers. She'd spent the last seven years looking for answers, exploring the limits of humanity, seeing it at it's worst and at it's best. She'd seen villains, but villains don't exist without heroes. She'd seen the heroes too.
She could identify the man, the man in front of her, walking away into the sunset, the man with the answers. She hadn't known at the time that the questions would be more important than the answers, but she knew that now. She had more use for the questions, and he had the answers.
That's when it hit her, it was him, it was
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Posted by rival on Tue Sep 27th at 5:42pm 2005
... no. it couldnt be. she had to see his face. she was about to run at him and look straight in the eye but she caught herself - it couldnt possibly be him. that fire four years ago... no one could have survived. but before... he looked familar. it must have been the sun obscuring her vision. she gave sigh of frustration and wordlessly quickened her pace considerably.
but everytime she moved closer he sped up keeping the distance. she stopped for a moment and watched him. he too stopped and turned slightly, just enough to give a glimpse of his own face. but she was blinded by the sun, his face wasn't clear. he turned again slowly and continued on his way. she looked around at all this pointless sand in despair but looked back up at the man. again she felt that feeling of hope ... destiny. she started to walk slowly after him again watching him walk, carefully observing his movements. as she watched she was filled with a sense of satisfaction - this was the right thing to do.
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Posted by Hugh on Tue Sep 27th at 9:23pm 2005
She confidently powerwalked after him, assuming that she would blend in more readily by seeming like a random person on an exercise binge rather than a crazy woman following the man that she might know, that might know everything she desperately needed to know. Only one of these was plausible to the other pedestrians, so she didn't consider herself too worried about "being spotted," unless it was by him, and it really was him. She'd hoped that with her brisk pace that she would have shortened the gap between them, but even though he never even looked back at her, he was always able to keep ahead of her, as if he had omniscient eyes in the back of his head which told him "It's her. Keep walking."
Of course, he didn't have to be him to walk faster to avoid her. People tend to avoid other people walking after them, and if they do it because they don't know who's following them doesn't particularly matter since the result is the same as if they did know, but didn't want to.
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Posted by Campaignjunkie on Tue Sep 27th at 10:03pm 2005
I can see it now: The Snarkpit Novel, only $10 on Amazon!
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Posted by Gollum on Tue Sep 27th at 11:40pm 2005
Hurrah for Morphine! (I've always wanted to say that.) Great idea. These forums certainly have the brains to make a good attempt. Don't expect too much though; I think a novel is unrealistic.
One problem is commitment. I know, because that's my novel's Big Problem. It's even worse with a team -- each writer is chary of enforcing his own ideas upon others, and therefore no-one commits to anything. If we don't do something soon, our woman in the desert could be following this man for a ludicrously long time. We've built up expectation for a dramatic (section?) conclusion (salvation, end of seven years, the mysterious stranger who holds the answers, recent violence). This is a simple but effective hook for the reader. Now we need to describe what happened leading up to this.
Oh dear. I appear to have written too much. Apologies, and blame the dialogue. Maybe I'm trying to achieve too much in one post, but I feel 15 sentences is a little low to move the story forward. And if we don't have scope to move the story forward within one post, then it will be hard to depart from an existing section; periods of transition need to be fairly self-contained.
He turned to watch her, and bowed slightly. He's mocking me; he always did. But now he feels safe enough to drop the pretense. Arrogant dickwad. Clearly her quarry was willing. After a few hundred metres they came to the chasm wall, and she saw him open a door in the rockface. Even three years ago, this would have astonished her; now she felt no surpise. He left the door open and after a few minutes -- she was in no hurry -- Jess followed inside.
"Tea? Coffee?" The room was small and bare, except for a desk and two chairs. He was already seated behind the desk, and was proffering items from a snack tray. Flys mated on the walls.
"Hello Jackson."
"Come now Jess, why don't you call me Uncle Amyas anymore?"
"Same reason your skin doesn't burn, Jackson."
He sighed. "And they say absence makes the heart grow fonder. Nevermind. Sit down and have a cupcake."
"Are they drugged?"
"Of course."
She complied; it wasn't a genuine choice.
"Now, my dear, I'd like to hear your side of the story. From the beginning, if you would be so kind."
"Yes Uncle Amyas."
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Posted by Nickelplate on Wed Sep 28th at 12:34am 2005
{deleted for genericity by the author}
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Posted by Addicted to Morphine on Wed Sep 28th at 1:41am 2005
I agree that the 15 sentence minimum was very constraining. It was just an initial figure I thought I'd put out there. I've since removed the maximum limiation, trusting that no one will be posting 500,000 word epics anytime soon.
And Nickelplate, I'm a little confused, I thought Gollum had just set us up to flesh out the very beginning of Jess' adventure. That time roughly seven years ago when Jess Norman had first heard about "Devil's Hammer"....
Posted by Nickelplate on Wed Sep 28th at 2:01am 2005
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Posted by Addicted to Morphine on Wed Sep 28th at 2:43am 2005
Posted by Nickelplate on Wed Sep 28th at 2:49am 2005
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Posted by Addicted to Morphine on Wed Sep 28th at 3:28am 2005
Posted by Nickelplate on Wed Sep 28th at 3:52am 2005
{deleted for genericity by the author}
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Posted by Crono on Wed Sep 28th at 4:19am 2005
Nickel, you do realize you've summarized every RPG ever, right?
But seriously, I was going to add something ... but I have no idea what you set up there (anything I'd write would seem incoherent in regard) ... you need to flesh it out a little more ... don't leave it open within a tension moment, no one else knows what you're thinking, right? I mean ... you just killed off a person that appears to be the motivation for the story and more importantly, the readers first exposure to the main character's reasoning.
Also, if you would, describe where the hell she is ... I thought "The Devil's Hammer" was a desert ... at least that's what was already established. How is there police, specifically 911? What city ... ? As far as I know she just organized a trip with a travel agent to some place called Devil's Hammer ... and there's a metropolis city ... at least, that's the way it comes off, since your only description is "an ally"
I'm not picking on your or anything, but ... you need to put more in now, since you wrote something very obscure.
Posted by Nickelplate on Wed Sep 28th at 5:12am 2005
[Nickelplate deleted this!]
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Posted by Campaignjunkie on Wed Sep 28th at 6:48am 2005
ANYWAY... I would continue the story, but I have ths same problem as Crono - I'm not exactly sure where to continue, even after reading that timeline. *shrugs* Someone else go? =
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Posted by Crono on Wed Sep 28th at 7:30am 2005
Which, no offense, of course, is very generic. Generic enough that I don't know what to do with it. It's not even interesting anymore, to be honest ... not to be harsh. So, either, FIX up the situation you currently have the characters in, as in ... introduce this assassin fellow, create a small conflict, resolve it so we can build upon that ... it just wont work if you explain something half way and expect someone to do the harder part ... which is wrapping it up and putting it all together.
Make sense? I appreciate the timeline ... but that's not what I was looking for. Advance the story .. don't kill it dead in its tracks.
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